Of the past three recent releases I've watched, one starred Ryan Gosling, another George Clooney, and the third co-starred them both. I'm sensing a theme, let's call it The Societally Prescribed "Thinking Women's Sex Symbol" Film Festival, James Franco flicks optional. Anyway, this season's TWSS programming was Drive, The American and The Ides of March. The first two share some gross plot similarities (professionals redeemed and compromised by the love of a good women) and some fine differences, and will likely also make a fine compare and contrast essay for a film studies course in a few years. American versus European settings, youth versus age, ideals versus cynicism, techno beats versus golden realism etc. etc.The Ides of March is also a decent movie, which goes as much for its morals as its quality. It can feel a little creaky though, and will be best for those raised on rentals of The Sweet Smell of Success and All the King's Men. Drive was my personal favourite, looking and sounding like urban myth, although the music that sets the mood also nearly ruins it. As the movie ends, the synths kick in and for the second time a vocoder tells us that the Driver is a "real hero" (as well as a "real human being"). Got it. Thanks. But they forgot the missing fourth verse: "And you, have proved, to be/A real human being, and a real hero/AND A TOTAL DREAMBOAT..."
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